TRASHY TUESDAY: MORE LARRY KENT COVERS
I recently came across a couple more Larry Kents to add to my collection. Both of them featured cover art work by the Spanish syndicated art agency Nova Bossa, which provided a lot of covers for Cleveland in the late 1960s and 1970s. Using Spanish artists such as Rafael Cortiella and Enrich Torres, Nova Bossa provided covers which were usually more violent and sexualised in their approach. See my earlier post at: https://murdermayhemandlongdogs.com/trashy-tuesday-larry-kent-covers/
I cannot identify the artist for Assassin Take All (above), which seems to be signed as Foada? I haven’t seen any others with this signature, but it is a quite good cover. The use of a blue background was unusual for a Kent cover, but it gives a nice feel to it. It is not as bold or as innovative as the later Spanish covers, but it is a step up from the formulaic covers of the late 1960’s, which usually featured a similar looking blonde in a bikini in the centre of the cover (see Mourning Glory below).
The other one I got was Always Aim High (No. 810, 1974).
Always Aim High is more typical of the covers done by Nova Bossa (Fecuandos?) for the Larry Kent books. As with several others, it uses a collage of three pictures, one of which is always a scantily dressed woman. The covers from this period tended to use drawings of popular movie stars, such as Clint Eastwood or Robert Redford, or replicas of scenes from movies. This one seems to be drawing from the Day Of The Jackal, which would have come out a few months earlier.
The use of the three white circles as kill spots on the man’s head is quite clever and effective. As with most of the covers, the pretty red head with large eyes is staring directly outwards and enticingly at the potential purchaser. It is a good cover, with a strong early 1970’s feel to it.